Todd Phillips’ sequel to the 2019 hit “Joker” returns with Joaquin Phoenix and Lady Gaga in a musical format, aiming to expand on the original’s dark exploration of the DC Comics supervillain. While the new film retains the original’s oppressive atmosphere, it attempts to differentiate itself with musical elements reminiscent of Dennis Potter’s Pennies from Heaven. Gaga joins Phoenix as Harleen Quinzel (Harley Quinn), adding a new dynamic as the troubled psychiatric patient who falls for the Joker during his prison stint.
The sequel begins with an engaging Warner Bros. cartoon recap, setting up Arthur Fleck’s (Phoenix) life in prison, where he awaits trial for multiple murders. Brendan Gleeson, Catherine Keener, Steve Coogan, and Zazie Beetz deliver notable supporting performances, yet the film suffers from a repetitive and claustrophobic setting. Despite Gaga’s compelling portrayal of Harley Quinn, the character lacks depth and development, leaving her potential largely untapped.
The central conflict revolves around Arthur’s struggle between accepting an insanity plea and embracing his Joker persona, which has brought him fame and love. The film’s narrative, while ambitious, often feels labored and stagnant. The ultimate result is a movie that showcases Lady Gaga’s dynamic presence but ultimately falls short of offering new or surprising insights into its characters. The sequel’s grandiose ambitions may set up a future for Gaga’s Harley Quinn, but its current execution leaves much to be desired.
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