Barry Levinson’s latest effort, The Alto Knights, attempts to explore the notorious rivalry between 1950s mafia bosses Vito Genovese and Frank Costello, but it risks getting lost in the shadows of superior crime dramas. Following his acclaimed 1991 film Bugsy, where Genovese and Costello appeared as supporting figures, Levinson faces the challenge of distinguishing his own work in a genre teeming with high-profile predecessors.
The film’s attempt to stand apart involves an unusual, yet ill-fated, casting choice: Robert De Niro plays both lead roles of Frank and Vito. While the dual casting offers a unique spin, it ultimately detracts from the film’s overall impact. De Niro’s performances, though slightly different in their portrayal of each character, come off as over-the-top and distracting, rather than adding depth to the story. The narration, presented in a Goodfellas-esque style by De Niro’s Frank, fails to inject energy into the sluggish plot.
Ultimately, The Alto Knights struggles to live up to its potential. For those determined to watch, the film provides the occasional amusement, such as the noticeable seam where De Niro’s fake nose is glued onto his face in one of his roles. However, the film’s attempt to be distinctive does not elevate it above a genre already populated by stronger entries.
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