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Home News Supacell: A Refreshingly Original Take on Superhero Storytelling

Supacell: A Refreshingly Original Take on Superhero Storytelling

by Barbara

I’ve been critical of Disney+ recently, largely due to the flood of forgettable content from brands like Marvel. The entertainment giant appears stuck in a cycle of paint-by-numbers narratives centered around two-dimensional superheroes and excessive special effects. Marvel’s recent output has left me feeling bored and restless, which perhaps predisposed me to appreciate something like Netflix’s new superhero series Supacell, created by British filmmaker Rapman.

The six-episode series follows five ordinary individuals who acquire superpowers such as telekinesis and super speed. While this premise may seem conventional, what sets Supacell apart is that these characters, all Black South Londoners, initially have little in common except their newfound abilities. Yet, they are brought together by one man’s quest to rescue the woman he loves, injecting a refreshingly original narrative twist.

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Supacell has garnered significant acclaim, boasting a flawless 100% critics’ score on Rotten Tomatoes at present. It currently ranks as the #2 Netflix series in the US, just behind the newly released season of Worst Roommate Ever (likely to change soon). The series confidently strides through doors previously opened by Netflix hits like Top Boy, showcasing compelling storytelling and Black creatives at its core.

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Without dwelling too heavily on comparisons to Marvel, Supacell distinguishes itself by prioritizing character development over spectacle. It explores the lives of ordinary people who happen to possess extraordinary abilities, offering a nuanced viewing experience. While not flawless, the series occasionally leans on stereotypical storytelling and character choices. However, these elements do not overshadow its overall enjoyability, especially for viewers like myself.

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Furthermore, Supacell isn’t afraid to explore darker themes, a facet of the series that I find particularly appealing. The opening scene, for instance, vividly depicts a woman with glowing yellow eyes in a hospital gown fleeing from guards, culminating tragically in her death. This willingness to delve into darker narratives adds depth to Supacell’s superhero framework.

In essence, Supacell blends elements of NBC’s Heroes with a grittier twist akin to The Boys, all anchored by a predominantly Black main cast. The result is a captivating series that has captured my attention and left me eagerly anticipating more.

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