Denzel Washington’s latest production, “The Piano Lesson,” marks his third adaptation of August Wilson’s Pittsburgh Cycle, following “Fences” and “Ma Rainey’s Black Bottom.” Directed by his son Malcolm, the film stands out as the finest of the trio, featuring Washington’s eldest son, John David, and contributions from his daughters, Katia and Olivia. The film is a family project dedicated to their mother, Pauletta.
Set in 1911 Mississippi, the film opens with a dramatic heist led by Boy Charles (Stephan James), who steals a piano rich with family history from white landowners. The scene, illuminated by Fourth of July fireworks, is both thrilling and visually captivating, showcasing Malcolm Washington’s impressive filmmaking.
While the film largely adheres to its stage origins, Washington’s direction excels in moments of surrealism and ethereal beauty. The intimate scenes, particularly the tender interactions between characters, are rendered with great skill. Danielle Deadwyler, portraying Berniece, delivers a compelling performance that captures the emotional depth of her role.
The cast includes John David Washington as Boy Willie, who arrives in Pittsburgh with plans to sell the family piano. The film explores the siblings’ conflict over the piano, which symbolizes their ancestral legacy. While John David Washington’s performance is energetic, Samuel L. Jackson, reprising his role from the original stage production, translates his character’s nuances effectively to the screen. Supporting roles by Ray Fisher and Michael Potts add humor and warmth to the narrative.
The film struggles to balance its comedic and dramatic elements, with moments of humor sometimes overshadowing the emotional weight of the story. Despite this, Washington successfully delivers a poignant scene where characters sing “Berta, Berta,” blending musicality with thematic depth.
Ultimately, “The Piano Lesson” offers a powerful portrayal of family, legacy, and the impact of history, distinguished by strong performances and innovative direction.
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