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Kevin Smith Revives Nostalgia with ‘The 4:30 Movie’

by Barbara

As Hollywood grapples with the rapid evolution of streaming platforms, filmmaker Kevin Smith is making a bold move back to the movie theater business. Smith’s latest project, “The 4:30 Movie,” is a heartfelt tribute to small-town cinemas and arrives at a time when he was reflecting on his place in the expansive digital landscape of film and television.

Smith, renowned for indie classics like Clerks and Mallrats, has ventured into the teen movie genre with a nostalgic nod to the 1980s. “The 4:30 Movie” tells the story of 16-year-old Brian (Austin Zajur), who spends the summer of 1986 sneaking into films with his friends and navigating teenage dilemmas, including a problematic date and conflicts with the theater manager, played by Ken Jeong.

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The film is set against the backdrop of Smodcastle Cinemas, Smith’s own theater in Atlantic Highlands, New Jersey, which he rescued from closure and revitalized. The choice to film at this location is deeply personal for Smith, who used the historic venue to evoke the era of his youth, blending it seamlessly into the story’s setting.

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Smith’s foray into period filmmaking with “The 4:30 Movie” marks a departure from his familiar View Askewniverse, encompassing a genre and decade that were formative for him. “The location dictated the story,” Smith explained. “With the theater’s old-school charm, it made sense to create a film that reflects the 1980s cinema experience.”

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The film features appearances from both new talent and familiar faces from Smith’s previous works, including Jason Mewes, Rosario Dawson, and his own family members. This blend of old and new elements underscores Smith’s aim to bridge generational gaps and celebrate the unique atmosphere of small-town moviegoing.

In addition to his cinematic pursuits, Smith is engaged in discussions with Universal about a long-anticipated sequel to Mallrats. Despite setbacks, including the recent passing of Shannen Doherty, Smith remains hopeful about bringing the sequel to fruition.

Reflecting on the film industry’s current state, Smith shared his thoughts on the streaming era and the enduring allure of traditional theaters. “Even though streaming has changed the way we consume media, there’s something irreplaceable about the theater experience,” he said. “I wanted to create a film that captures that nostalgia, which is why ‘The 4:30 Movie’ will continue to play at Smodcastle Cinemas every Sunday.”

Smith’s dedication to his craft and the movie theater community remains steadfast, even in the face of evolving industry trends. “The 4:30 Movie” not only celebrates a bygone era but also reaffirms Smith’s commitment to storytelling and the cinematic experience, both on and off the screen.

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